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Tuesday, April 21, 2009

Basque film triumphs in Cuba festival


The film
Querida Bamako (Dear Bamako), co-directed by Txarli Llorente and Omer Oke (former Director of Immigration in the Western Basque autonmous government) got the first prize for fiction movies in the Festival of Poor Cinema of Cuba, plus the especial mention of the foreign press.

A Basque documentary, Sicarios del Capital (Hitmen of Capitalism), of Gregorio Subersiola, got the Zero Poverty prize in the section of documentary, videoart or experimental work. It deals with the political violence in Colombia, where people is murdered every other day, mostly for oposing the government and the ultra-wealthy.

This Festival of Gibara is focused in low-budget films from around the world, but, according to Omar Oke, it is a festival that gathers many films and lots of talent, because what they mean by "poor" is only about budget.

Oke evaluated positively the success of his film because, while commercial cinemas have rather ignored it, it has got a very good circulation in parallel and even alternative circuits. Thanks to this subdistribution it has been watched by many people in many festivals, at schools, at NGO meetings...

Oke has another film already finished: La Causa de Kripan (Kripan's Cause), which deals on female castration. He is still awaiting for donors to finish post-production.


Oke (l) and Llorente (r) before their movie's poster

Other films that earned prizes in the Gibara Festival are Chilean El Súper of F. Aljaro and F. del Río, Chile, and La Anunciación (The Annunciation) of E. Pineda Barnet, Cuba. Brazilian Café com Leite (Tú, Él, Yo) of D. Ribeiro got the first prize for short movies, while Bilal of Indian Sourav Sarangi obtained the first prize in the documentary, videoart and experimental work section.

Other prizes were given to Costa Rican El Camino (The Path), of Yshtar Yasin Gutiérrez (foreign press jury choice), Bolivian Humillados y Ofendidos (Humilliated and Offended) , of J.H. Alvárez, C. Brie and P. Brie (best Spanish American documentary) and Cuban Los Dioses Rotos (The Broken Gods), of E. Daranas (especial prize from the audience).

Source: Gara.

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